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Super8 Film
Real Filmlook for a bargain
Admitted, whem it comes to price, nothing can beat video. It is incredibly
cheap theses days since camcorders now use memory cards as recording medium
which can be reused hundreds of times. But they all have the hyperrealistic
image quality. This is good for making documentaries where you want to
portrait the reality as it is, but not for creative work.
Super8 was the medium that started the hobbyist filmmaking in the 70ies and
is thought to be dead and gone for long time now - but it isn't ! Shure, there
is no company anymore that makes new S8 cams (at leat not that I knew), but
you can be grab one on eBay for instantly nothing now (if you are furtunate
enough to get one in a perfect shape and technical condition) - or you can by
a professional refurbished one.
The raw film however has made e tremendous progress in quality, not to compare
anymore with the musty character of 70ies S8-Films that everyone associates
with it. Modern color negative films are even capable to deliver HD-quality.
Although the image size of S8 is as small as the sensors of most video cameras,
the filmed footage still looks like film ! This is because film has a completely
different dynamic range and color reproduction than video cameras have. So
everything you shot with a S8-camera still looks like film - 'cause it is film !
The following video shows what quality you can expect with modern raw film
materials:
This example was shot on a Kodak Vision3 200/500T material with a Canon
1014XL-S camera by Jose Luis Villar,
a commercial and fashion fotographer.
The raw film for S8-Cams comes in small cartridges, so the handling of the film
is easy and very much like with video camera. The recording time however
differs significantly. The film in a S8 cartridge is 30m, which is only about
3 minutes of recording time. With ~50€ for a cartridge incl. film development
it seems quite costly (compared to video), but compared to other film formats
like 16mm or 35mm this must be considered cheap.
But using S8 these days gives you a big advantage - your footage will outstand
from the masses and thus gain more recognition. This is why a lot of creative
filming, i.e. music videos or fashion films are still done on Super8.
Although the available raw film materials became less in number by now, one
still can get films for almost all purposes. Following is a list of still
available raw film stock:
Description
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ASA
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Typ
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Comment
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Kodak Ektachrome 100D
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100/D
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Color-Reversal
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(discontinued, only remainders)
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Kodak Vision3 50T
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50/T
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Color-Negative
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Kodak Vision3 200T
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200/T
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Color-Negative
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Kodak Vision3 500T
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500/T
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Color-Negative
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|
Wittner Konfekt
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100/D
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Color-Reversal
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(Fujichrome Velvia 100 Pro)
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Wittner Chrome 200D
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200/D
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Color-Reversal
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(AGFA Aviphot Chrome 200)
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Kodak Tri-X 7266
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100
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BW-Reversal
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Wittner B&W 54
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125
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BW-Reversal
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(ORWO UN 54)
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Wittner Pan R100
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100
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BW-Reversal
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(FOMA Fomapan R100)
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Wittner Konfekt
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400
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BW-Negative
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(ORWO N 74 Plus)
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ADOX PAN-X
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100
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BW-Reversal
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All materials can be purchased from
Wittner-Cinetec in Germany.
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... ain't nothing but a rainy day
Sonus et Silencium
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